Audio Editor

A short audio edit should not require a different page for every adjustment. Bethemesh Audio Editor puts waveform navigation, trimming, recording, gain, speed, fades, equalization and conversion into one workspace. Start with an existing track or capture a recording through your microphone. Each operation works on the current result, so you can make several changes before a single final download. The audio stays on your device rather than being uploaded for processing.

Drop an MP3, WAV, OGG, FLAC, M4A, AAC, Opus or WebM audio file onto the workspace, or select Record. Click the waveform to seek and drag across it to select a time range. The Start and End fields provide more precise trimming than dragging alone. Pick any action from the left-hand rail; its controls appear in the right inspector. Apply the transform, play back the new result and continue editing it. Undo and Redo let you navigate a limited history without changing the file on your disk. Compare the original with the edited version before export. Most transforms generate intermediate WAV PCM files. MP3, FLAC, OGG, M4A and Opus encoding uses the existing FFmpeg/WASM runtime, which may need to load on first use. The silence remover detects quiet passages by their level, not by transcribing speech. Merge appends multiple files in order; it does not layer their playback. Split channels offers a pair of separate left/right WAV downloads. Initial controls include 100% gain, 1× speed, zero pitch shift, three EQ gains at 0 dB and a −16 LUFS target. History keeps at most eight states and reduces intermediate states when they total roughly 110 MiB; it is not a saved project. The editing surface limits each imported file to 180 MiB. Effects process the complete working file. A waveform selection defines trimming, rather than automatically restricting every effect to that region. Native intermediate WAV files use 16-bit PCM; repeated lossy export should be avoided.