Sample rate indicates how many samples per second are used to represent a digital audio signal. A file at 44.1 kHz contains 44,100 samples per second for each channel; at 48 kHz, it contains 48,000.
GuideConcepts and technologiesIntermediate
Audio sample rate: 44.1 kHz, 48 kHz and resampling
Understand sample rate, why 44.1 kHz and 48 kHz are common, and when converting an audio file sample rate is actually useful.
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Why 44.1 kHz and 48 kHz?
44.1 kHz became strongly associated with music distribution and the audio CD ecosystem. 48 kHz is common in video, film and many professional audiovisual workflows.
Neither value is automatically “better” for every use. Compatibility with the rest of the project is often more important than increasing the number.
Resampling does not restore missing detail
Converting a 44.1 kHz source to 96 kHz creates a file with a higher numerical sample rate, but it cannot reconstruct information that was not present in the source.
Resampling is useful when a destination, editor, video project or processing chain requires a specific rate.
Use the sample-rate converter for this operation.
Sample rate and channels are different
Sample rate describes the time resolution of each channel. Mono and stereo describe the number and organization of channels. If you also need to change channel layout, read Mono, stereo and channel separation.
A sensible video workflow
When preparing audio for a 48 kHz video project, keep the original, perform the required edits, convert to the project rate and then create the final delivery format.
Source → Trim/Edit → Resample to 48 kHz → Normalize → EncodeThe Workspace pipeline guide shows how to make this sequence reusable.